Pablo Picasso: Bibliography and Works of Art
There are several artists who have revolutionized works of art but very few have stood out for their exemplary works and brilliance in their works of art. Pablo Picasso is one such fellow who has contributed immensely to art.
Pablo Picasso was of Spanish origin born 1881 and died in 1973 in France. He made significant contributions. In Pablo Picasso and His Paintings, Picasso stood out in the 20th century for his innovations in art. No other artist had such significant impact to art like Picasso. Picasso was multi talented and his art works were unique and diverse. His works were so innovative that , “the works he created went on to influence artists and painters down the line, for a period of more than 50 years, and still influences the styles of many artists today.” (Pablo Picasso and His Paintings 2009).
Pablo dedicated his life to innovation and trying out new ways of doing art.
Cubism was considered as one of Picassos most significant inventions. Cubism borrows some aspects of African sculpture. This was a new way of doing art divergent from the way art was done and perceived. In Pablo Picasso and His Paintings, most people did not appreciate his new way of doing art then. His work had more expression and color. Lior, Noa, and Steele described cubism as an art work that depicts paintings look like broken pieces broken and stuck together again(19). Picasso’s most significant work of art using cubism was the Guernica painting done in the 1937 world fair held in Paris. His work was not only to be seen in two dimensions but rather created more dimensions and angles.
The word cubism was born out of terms used by one major critic of his work Louis de Vauxelles. Pablo stated that cubism was created out of what was more appealing to him and real (Apollinaire, Eimert, and Podoksik 29). Further growth and use of cubism led to development of synthetic cubism where other artists joined him in further development of this art.
Cubism allowed an artist wider space to express himself in a piece of art. Apollinaire et al., noted that cubism offered an artist unlimited possibilities in representing expressions of the mood, either pain or horror (130).
Picasso was also played a key in the development of surrealism, John Goulding quotes Pablo in his book,” I am intent on resemblance, a resemblance more real than the real attaining the surreal.” Picasso was keen on bringing out the real expression out of an image; he wanted to bring out his subconscious and imagination to reality. This artistic style was developed in the 1930s. Nathalia Brodskaïa describes surrealism as an artistic movement that went beyond borders of France (247). Surrealism was not so popular then and was ignored by the press, however Pablo liked the controversy and criticism his work was facing and was pushed to go ahead by his insatiable curiosity (247).
Pablo Picasso was credited for several paintings using surrealism. Surrealism paintings are meant to bring out dreams and elements of the subconscious the mind is not always are of. This type of art appears to change to the viewer depending on the side the viewer is positioned (Lior, Noa, and Steele 19).
Pablo Picasso’s contribution to works of art was immense. His works were some of the greatest innovations of the 20th Century.
“Pablo Picasso and his paintings” Pablo Picasso, Paintings, Quotes, and Bibliography, 2009. Web. 6th October 2014 http://www.pablopicasso.org/
Apollinaire, Guillaume, Dorothea Eimert, and Anatoliĭ Podoksik. Cubism. New York: Parkstone International, 2010. Print.
Brodskai︠a︡, N V. Surrealism: Genesis of a Revolution. New York: Parkstone International, 2012. Internet resource.
Golding, John. Visions of the Modern. Berkeley u.a: Univ. of California Press, 1994. Print.
Lior, Noa, and Tara Steele. Spain. New York: Crabtree Pub. Co, 2002. Print.